The names of minerals and the minerals themselves do not differ from each other, because at the bottom of both the material and the print is the beginning of an abysmal number of fissures. Words and rocks contain a language that follows a syntax of splits and ruptures. Look at any word long enough and you will see it open up into a series of faults, into a terrain of particles each containing its own void. Robert Smithson
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  1. It happens like this. "One day you meet someone and for some inexplicable reason, you feel more connected to this stranger than anyone else--closer to them than your closest family. Perhaps this person carries within them an angel--one sent to you for some higher purpose;... - Lang Leav
  2. A kiss is a lovely trick designed by nature to stop speech when words become superfluous. - Ingrid Bergman
  3. Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover,... - William Shakespeare
  4. Two words. Three vowels. Four constenants. Seven letters. It can either cut you open to the core and leave you in ungodly pain or it can free your soul and lift a tremendous weight off you shoulders. The phrase is: It's over. - Maggi Richard
  5. Remember how it was when we kissed? Armfuls and armfuls of light thrown right at us. A rope dropping down from the sky. How can the word love and the word life even fit in the mouth? - Jandy Nelson
More Quotes By Robert Smithson
  1. The names of minerals and the minerals themselves do not differ from each other, because at the bottom of both the material and the print is the beginning of an abysmal number of fissures. Words and rocks contain a language that follows a syntax of...
  2. Nature does not proceed in a straight line, it is rather a sprawling development.
  3. Painting, sculpture and architecture are finished, but the art habit continues.
  4. When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.
  5. Artists themselves are not confined, but their output is.
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